Based on the essay Architecture and Freedom? Programmatic Innovation in the work of Koolhaas/OMA by Kim Dovey and Scott Dickson
The authors of this essay attempt to reveal how OMA and Rem Koolhaas use programmatic innovation to reinterpret a building and create social roles and implications within. The important thing that seems to run through almost all of OMA’s work is the idea of the social encounter. They always go to great lengths to create an ambiguous plan in order to promote “chance” encounters. These ambiguities involve the space, enclosure, visibility and permeability of the project. This brings to the table not only the idea of physical encounter but also sight encounters. To see and to be seen. In various projects of OMA they allow the unsuspecting visitor to be seen throughout the building. Is it in our natural tendency to become the voyeur? What if the unsuspecting visitor wasn’t unsuspecting?
They go on to discuss the idea of the correspondence model whereas spatial zones “correspond” to social groupings and high correspondence is when all those who share a spatial zone also share a social label. In this case space operates to exclude random encounter and to keep “difference” at a distance. In the next paragraph they say “each of these is a contradiction: random encounter would undermine the social reproductive function of interior space, and the determinism of interior structures would kill urban space.” Koolhaas prefers to play with the tension of these two. What is intriguing about this idea, as it coordinates with my thesis is that in certain opportune times, when two high correspondence zones collide, education can occur. Is there a way to make buildings educate? If I am walking to the grocery store and pass a museum, is there a way to make the museum make me think differently about something?
